The panic attacks that occur in the Law Court
Offices, also occur in other scenes throughout the book. One scene is when
Josef K meets with the painter in a studio who also happens to be commissioned
by the court. Josef goes to see the painter because he supposedly has
information about his case. The painter turns out to be a painter for the Court
and he explains to Josef the three different types of acquittals that may occur
with his case. The three types seem to be quite mysterious and uncertain and the
acquittals may take a long time thus he may be liable for arrest at any moment.
As the story unfolds Josef’s panic
attacks, and his paranoia get worse and worse. After Josef converses with the
painter he has another panic attack, as he begins to get paranoid and
overwhelmed with stress. All that the painter described just further creates a
sense of helplessness for Josef K.
This helplessness that is evident throughout
the novel had to stem from somewhere. Thomas M. Havanagh wrote in “Kafka’s “The
Trial”: The Semiotics of the Absurd” that “paranoia and schizophrenia (in
different proportions and various refinements) have been proposed as that which
“explains” both the novels and their creator” (Havanagh 244). Therefore, at
some point in his life, probably when he was writing “The Trial” Franz Kafka
must have experienced some sort of paranoia resulting from either helplessness
or a mild case of schizophrenia. This most probably occurred while he was
writing the novel, as he must have been feeling helpless since he was fighting
tuberculosis at the time ("Franz Kafka Biography"). Therefore, this helplessness must
have been projected in Josef as a result of Kafka’s own feelings.
Kafka’s true emotions also show up in the novel
through the almost pointless ‘relationships’ that Josef has with Leni and Ms.
Burstner. Similar to in his own life the relationships that Kafka starts with
women almost never seem to last. In his real life Kafka was seen as a bachelor,
never being able to commit, continually breaking off engagement after
engagement (“Franz Kafka Biography”). Kafka must have felt some sort of helplessness,
as he could never actually commit to a relationship, not until his deathbed
when he proposed to Dora Diamant. Similar to this are Josef K’s relationships
with Leni and Ms. Burstner. Ms Burstner rejects Josef, who then intern Josef rejects
Leni because he thinks she flirts with other men. This seems very hypocritical
as Josef himself flirts with other women. This demonstrates the mistrust that
goes hand in hand with paranoia, causing that same feeling of helplessness
because not only can Josef not control the trial, he cannot control his own
love live. Possibly as a result of all the pressure, and because of his
paranoia Josef rejects any relationship that could have been good for him.
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