Helplessness
in “The Trial”
Written
in 1925, “The Trial” is Franz Kafka’s commentary on corrupt court systems that
exist, and will always continue to exist in society. To Kafka, society was
always controlled by something greater than any one man, greater than the human
being. This showed in almost all of Kafka’s works, from less known novels like
“Amerika”, to better known novels such as “Metamorphosis” and “The Trial”. His
characters, like those of Albert Camus, and Fyodor Dostoyevsky are preoccupied,
if not controlled by the institutions of the societies that they live in. These
characters develop of sort of helplessness that no human being should have to
endure. In “The Trial” the main character Josef K, experiences this type of a
situation. One in which he has no control of his own fate, or at least he
thinks so. Therefore, in “The Trial” Franz Kafka demonstrates the power that
institutions have over the individual; revealing through Josef K the physical
and mental helplessness that the court system can cause over man.
Born in Prague, Bohemia Franz Kafka had a
father who was very interested in social movements. This gave Kafka the ability
to see the institutions at an extremely young age. Because of this, Franz was sent to German schools instead of
the Czech schools in Prague ("Franz Kafka Biography"). His childhood was an early stepping
stone to his view of the world. Although Kafka was Jewish he went to the German
schools, and lived in Prague, which at the end of the 19th century
had become anti-Semitic towards Jews. Since there were many riots, this was
probably this start of the feeling of helplessness that is so evident in his
novels and short stories.
At the beginning of “The Trial” it becomes
evident that the main character Josef K, is being tried for a crime. Yet,
throughout the entire book Kafka does not reveal neither to the reader, nor to
the main character the exact crime that he is being tried for. When he is first
tried with the crime, Josef thinks that it must be a practical joke set by his
friends and colleagues because it is his birthday. As reality sets in, K begins
to realize the dire situation that has overcome him. He attempts to appeal the
case, but realizes that he is fighting a hopeless fight. Both the police and
court system seem to give him no options, as they have complete control of his
situation, basically control of his life. This is when the first signs of
paranoia start to appear.
Paranoia seems almost always to lead to a
feeling of helplessness. According to John Mirowsky, author of “Paranoia and
the Structure of Powerlessness” paranoia is an alienation from others that has
gone beyond a sense of disconnection to one of persecution (Mirowsky 228). This
is completely true when it comes to the main character Josef K. Josef K first
becomes paranoid in the scene “In the Empty Courtroom”. As a result of his
arrest, K starts to feel the anxiety and stress that only contributes to the
paranoia. The paranoia continues to put more stress and pressure on him, as the
trial becomes nearer. This ultimately leads to a panic attack that occurs in
the Law Court Offices, panic attacks that continue to happen throughout the
book. His paranoia seems to subside a little as soon as he steps out of the
offices, furthering his distance away from the Court system.
Although Josef’s panic attacks stop momentarily
they come back later in the book. This could be a result of the feeling of
helplessness that increases as the novel goes on. John Mirowsky believes that
powerlessness leads to the belief that important outcomes in one’s life are
controlled by external forces and other persons, rather than by one’s own
choice and effort. This interacts with the threat of victimization or
exploitation to produce mistrust which can develop into paranoia (Mirowsky 228).
Mirowsky’s characterization of powerlessness coincides with the novel “The
Trial”. Josef begins to believe that he has no control over his own life,
mostly because of the control that the Judicial System has in his society.
Instead of being able to plead with the courts, Josef feels like a victim in
his own town because he has no idea what he is being tried for, and no idea how
to defend himself. This in turn, leads to Josef’s basic mistrust of people in
his society. He even goes so far as to call out (verbal or in thought) his
Uncle, his lawyer, and a priest for being a part of the institution that is the
Court System.
In the chapter “The Cathedral” Josef
demonstrates his extreme mistrust and paranoia. Josef is assigned to escort an
Italian to the cultural spots of the city, the cathedral. Josef starts to doubt
the court system, and the people around him, thinking that they want him away
from his office so that they can look through things when he is gone. This demonstrates
the mistrust that Josef has of the institutions. The Italian never shows, but a
caretaker escorts Josef inside the cathedral where a priest, who actually works
for the court, tells Josef of his case being caught up in the lower courts.
Josef seems to trust the priest completely, ignorantly believing some of his
advice. Josef’s paranoia is evident in the fact that he doubts many of the
events that occur to him. Almost like a puppet, Josef is helpless to the
control that the government and court has over him. Even as he realizes that
they have control over him, Josef is not able to do anything about it.
The panic attacks that occur in the Law Court
Offices, also occur in other scenes throughout the book. One scene is when
Josef K meets with the painter in a studio who also happens to be commissioned
by the court. Josef goes to see the painter because he supposedly has
information about his case. The painter turns out to be a painter for the Court
and he explains to Josef the three different types of acquittals that may occur
with his case. The three types seem to be quite mysterious and uncertain and the
acquittals may take a long time thus he may be liable for arrest at any moment.
As the story unfolds Josef’s panic
attacks, and his paranoia get worse and worse. After Josef converses with the
painter he has another panic attack, as he begins to get paranoid and
overwhelmed with stress. All that the painter described just further creates a
sense of helplessness for Josef K.
This helplessness that is evident throughout
the novel had to stem from somewhere. Thomas M. Havanagh wrote in “Kafka’s “The
Trial”: The Semiotics of the Absurd” that “paranoia and schizophrenia (in
different proportions and various refinements) have been proposed as that which
“explains” both the novels and their creator” (Havanagh 244). Therefore, at
some point in his life, probably when he was writing “The Trial” Franz Kafka
must have experienced some sort of paranoia resulting from either helplessness
or a mild case of schizophrenia. This most probably occurred while he was
writing the novel, as he must have been feeling helpless since he was fighting
tuberculosis at the time ("Franz Kafka Biography"). Therefore, this helplessness must
have been projected in Josef as a result of Kafka’s own feelings.
Kafka’s true emotions also show up in the novel
through the almost pointless ‘relationships’ that Josef has with Leni and Ms.
Burstner. Similar to in his own life the relationships that Kafka starts with
women almost never seem to last. In his real life Kafka was seen as a bachelor,
never being able to commit, continually breaking off engagement after
engagement (“Franz Kafka Biography”). Kafka must have felt some sort of helplessness,
as he could never actually commit to a relationship, not until his deathbed
when he proposed to Dora Diamant. Similar to this are Josef K’s relationships
with Leni and Ms. Burstner. Ms Burstner rejects Josef, who then intern Josef rejects
Leni because he thinks she flirts with other men. This seems very hypocritical
as Josef himself flirts with other women. This demonstrates the mistrust that
goes hand in hand with paranoia, causing that same feeling of helplessness
because not only can Josef not control the trial, he cannot control his own
love live. Possibly as a result of all the pressure, and because of his
paranoia Josef rejects any relationship that could have been good for him.
The helplessness that occurs in Josef K
throughout the novel is most evident in the final scenes of the book. Yet again on his birthday, two men come
for Josef. Instead of attempting to flee them, to keep his freedom and free
will, Josef goes with them. This is because Josef feels helplessness towards
that institution, towards the court, and the system that these two men represent.
He willingly goes with them, and when given the chance to escape, the chance to
call to a police officer to free him, he chooses to do otherwise. Instead of
calling towards the officer, he runs (with the two men) away from the officer,
almost insuring his own death. Josef feels hopeless, and although he knows that
the institution, the court is flawed and deceitful, he submits to them. Even
though he knows the truth, he accepts the fate that he truly knows they have
chosen for him.
“The Trial” by Franz Kafka demonstrates the
power that institutions have over the individual; revealing through Josef K the
physical and mental helplessness that the court system can cause over man. In
all aspects of his life Josef K experienced this feeling of helplessness.
Whether it be in his relationships with women, or in his problems with the
court system and crime, he could never find trust. This mistrust that he had
with almost everyone was mostly due to his paranoia, which is caused by and
parallels hopelessness. In creating the character Josef K, and writing of his
situation, Kafka wrote and vented on his own life, the mistrust he experienced
in all aspects of his life, and the hopelessness that he must have felt after
being diagnosed with tuberculosis.